He is a man whose name has, for more than three decades, echoed across Nigeria’s television screens, radio waves, film sets, and creative corridors — Sani Mu’azu, veteran actor, filmmaker, media consultant, and one of the enduring custodians of Northern Nigeria’s cinematic heritage. A graduate of Mass Communication from the University of Jos and the Nigerian Institute of Journalism, Lagos, Mu’azu entered the industry at a time when the nation’s visual culture was still learning to dream. From those early days, he has remained unwavering — shaping stories, mentoring talent, and lending his craft to projects that continue to define the Nigerian audiovisual imagination.

His artistry travelled early beyond Nigeria’s borders through work on international films such as Soweto and Mister Johnson. He later became a key creative force behind celebrated productions including Behind the Clouds, Riddles and Hopes, Amina, Tambaree, Mountain Blues, and Hafsah — the latter earning AMAA nominations and marking a milestone for Hausa-language cinema. Whether as actor, director, or producer, Sani Mu’azu carries a quiet, dignifying authority — the kind forged through discipline, resilience, and devotion to storytelling.

His leadership has been equally impactful: former National President of MOPPAN, pioneer member of the Federal Government’s Motion Picture Council steering committee, consultant for UNICEF and the British Council, and a foundational influence in the rise of Arewa24. Today, he stands not merely as a filmmaker, but as both witness to and architect of Nigeria’s evolving cinematic history.

A chance phone call created the fortunate opportunity for Kolawole Olaiya of Nollywood in Review, in Jos for a conference, to reconnect with his friend and colleague. Despite a demanding schedule, Sani Mu’azu graciously welcomed him into his home in Jos, Plateau State, for a conversation in late May 2025. What followed was an illuminating discussion on the Nigerian film industry — one that will interest film lovers, students, researchers, and Nollywood scholars alike.

We are honored to share this conversation with him.